himself, to simplistically hail transgressiveness as a virtue in its own right, I’m Sorry is a reminder, along with shows like Big Mouth, Broad City, and Crazy Ex-Girlfriend, that you can be as disgusting as you wanna be, while also being thoughtful, even kind, about which lines you cross and why.Prime Video’s I’m A Virgo cast and executive producer discuss the filming challenges of portraying a 13-foot character in this interview. … Just so you know, even if she is a lesbian, there’s still toys, so there’s still going to be something inside her.” And at a time when Louis C.K.’s too-soon return is prompting some, including C.K. You don’t want a boy putting a penis inside her. When Mike says he wouldn’t mind if their daughter turned out gay, Andrea clocks him for his unintended sexism: “Don’t act so cool and open-minded. But her sexual candor has other uses, too. I’m Sorry doesn’t break new ground, but it’s refreshing nonetheless to see a brash, obnoxious female comedian adored for those qualities, as well as a woman so waggishly confident in her attractiveness that she brags about the diminutive size of her vagina in front of her young daughter. Send me updates about Slate special offers. They might be the only pop culture worth the hashtag #RelationshipGoals. In the Season 2 premiere, which debuted last week, Andrea uses her mom’s (Kathy Baker) accidental nip slip by the pool to make her husband, Mike (Tom Everett Scott), squirm, this time in front of his mother-in-law: “Do you see a family resemblance in the nipples? Because I’ve always thought I’ve taken after my father in that way.” Mike’s a perfect comedian’s spouse: a willing target, a superfan, and a fellow joke critic. Marriage is where comedy writer Andrea’s (star and creator Andrea Savage) creative and domestic lives come together, the marital bed a stage for the kinds of jokes so intimate and discomfiting they’re often intelligible, and perhaps utterable, to an audience of one. That’s certainly the case with I’m Sorry, which replaces the slob husband/supportive wife sitcom formula of yore with a dynamic much more familiar to me: that of the playfully button-pushing wife and the patiently put-upon husband simultaneously charmed and exhausted by his wife’s baroque, aggressive teasing. Sometimes you watch a show and can’t believe it hasn’t existed before. But its largely familiar portrayals of comedians as “disgusting, broken people” and motherhood as a stadium for competitive nurturing belie the series’ quiet ambitions and exceptional strengths. Set amid an easy Los Angeles affluence, I’m Sorry is, like its antecedents Seinfeld and Curb Your Enthusiasm, a character study in observational-sitcom mode that explores the consequences of a comic’s id let loose in the real world. The show’s humble production values mirror its Larry David–low stakes: feeling disconnected to a spouse, explaining Nazis to a 5-year-old, planning a goofily New Age–y “goddess party” for a divorcée friend. The TruTV series’ central conceit-that a woman can be both a devoted mom and a filthy comedian-seems like an argument so obvious it shouldn’t have to be made. There’s Something Odd Going On in Bathrooms at Taylor Swift’s “Eras’ tourįrom its title on, I’m Sorry advances in a defensive crouch. Pixar’s New Short Deserves to Wear the Cone of Shame Pixar’s New Movie Is So Bad It Makes Me Worry About the Studio’s Future
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |